Monty Python Live featured a number of Python mash-ups–sketches that didn’t end quite the way we’re used to. Cheese Shop and Dead Parrot are perfect examples of this. And so is this one. If you’re one of the few that still hasn’t seen the show–live or in theatres–and you’re waiting for the DVD, here’s the end of the vocational guidance counselor sketch…
Monthly Archives: August 2014
Dead Bird in the Hand…
For those wondering how that 50-foot dead parrot came to be:
The iO Trap…
Dave Pasquesi and I have been friends since the first night he walked into one of Del Close’s improv classes at Crosscurrents in Chicago, and I (filling in for the absent Charna Halpern) shook him down for payment for his first series of classes.
I can (and probably will) write several lengthy blogs involving David and I, but the most pertinent information is this: Dave is still improvising, and, unlike so many others, has never really stopped improvising after all these years. A few years back, he started working with TJ Jagodowski at the iO Chicago, and in the subsequent years, TJ and Dave have become improvisation icons.
But that wasn’t enough for them. When Charna announced that she would be opening a brand new theatre building, with four theatres and a numerous classrooms, Dave and TJ told her “Excuse us, but we’d like one of those.” And that’s how the Mission Theatre came to be. It’s part of the new iO Chicago at 1501 N. Kingsbury in Chicago, but it’s separate, because it belongs to Dave and TJ. They will continue their TJ and Dave shows there most Wednesday nights, but will use the other time slots for a new sketch comedy show with a talented bunch of actors.
Saturday night was the opening night for the Trap (which is what it’s called, for reasons that will be revealed when you see the show). It is very funny. I sat with my old friend Leo Benvenutti, and after the first few sketches, I noted “They’re not really going very dark, are they?” I needn’t have worried. There is plenty of darkness, enough to please Del himself, along with some terrific acting and directing, and the audience loved it as much as I did.
Afterward, I had the chance to catch up for the first time in a long while with my old pals Frances and John Judd, Meg and Pete Burns, Jeff Michaelski, Diane Alexander, and many others, including, of course, Michael McCarthy, Charna Halpern, and Noah Gregoropolis.
The Trap is just the first show to officially open at the new iO (forget the label on the photo–the future is here!), and they have set the bar high; if the others come anywhere close, it’s going to be a spectacular success. See you there.
The Last of the Last Night of Monty Python
The scene after the show ended on the Last Night of Monty Python was–well, it was chaotic in a good way, but chaotic nevertheless.
First Month Without Monty Python…
It was one month ago that we witnessed the Last Night of Monty Python. If you’ve been going through withdrawal, here’s a one minute and thirty-three second taste of the final week:
https://www.youtube.com/watch?v=8N3FjJ6tYD8
And yes, I know I haven’t finished my own story about the Last Night of Python. Soon. Very soon.
Terry Gilliam Remembers the Fisher King…
Python Talk…
…Local reporter Mike Murphy has interviewed me many times about my various comings and goings. He did it again last week, and the result is another well-written piece that makes me sound literate, organized, and knowledgeable, and even plugs my latest Python book. Thanks Mike!
Robin and Mr. Winters
Robin Williams…
…I don’t have much to say except that it’s a great loss, and very sad. I had a few encounters with Robin Williams, the first of which was at a party at Harry Nilsson’s house after the final night of Monty Python Live at the Hollywood Bowl. At that time, Mork and Mindy was one of the biggest shows on television. I noticed him walking around the back yard in the near-dark, alone, and decided to approach him, as we had a mutual friend who worked on that show. It quickly became apparent that he was in a much darker place than that back yard, and I quickly excused myself. When his substance abuse problems first became public, I was not surprised.
I had a much happier memory of Robin several years later–oddly, it was when Del Close was dying. I know that Robin and Del knew each other by way of The Committee in San Francisco, of which Robin was a huge admirer (Del never actually taught him, but always called him his “grand-student”). I thought Robin should know that Del didn’t have much time left and might appreciate a call, so I asked Eric Idle to pass on the news. To my surprise, I got a phone call shortly afterward, and we chatted for a while; I filled him in on Del and he was effusive in his praise of Del. He apparently had trouble connecting with Del at the hospital–I’m still unclear whether they were ultimately successful, but if not, it was not for lack of trying. He called me several more times that week and I gave him regular updates. I remember him asking me about a couple of science fiction stories that he was considering doing as films; at first it seemed a little odd that he would ask me, a near-stranger, but then I realized that he knew that I was friends with Del, so I would almost certainly have to be SF savvy!). We had some nice chats in which he felt no pressure to perform or entertain for me over the phone, and I felt like I was talking to the real person. I liked him enormously.
There were other encounters. I can recall an elevator ride late one night at Rockefeller Plaza, after a Saturday Night Live broadcast. I found myself riding down with Robin Williams and Tom Petty, the former as animated as one might expect, apparently in an effort to entertain the latter.
It’s all very sad, sad for his family, his friends, and for comedy lovers. I’m particularly saddened for Eric Idle at the loss of his close friend. And Robin had just finished a film for Terry Jones, Absolutely Anything, in which he recorded the voice of the dog; Terry recently told me how much fun he’d had in the studio with him, and the many versions of the character he delivered. Now it’s going to be a much more poignant experience.
Last Night of Python Part One
July 20 had a much different feel to it than the previous night.





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