Folks in the Chicago area who appreciate comedy and improvisation are outrageously lucky to have so many great opportunities to see first-rate work. The three pillars of Chicago improvisation, Second City, the iO, and the Annoyance Theatre, are all brilliant in their own slight different ways (there are many others, of course, such as Dave Sinker’s Comedy Shrine in the suburbs, which deserves a column all its own). Second City is the best known though it does less improvisation than the other two. The iO is the home of longform, and near and dear to my heart thanks to the work of Del Close and Charna Halpern. I was with the iO (then the ImprovOlympic) at nearly the beginning. I was involved with the Annoyance (then Metraform) before the beginning. The latter two are going to be opening up in brand new spaces this summer, and both are worth much more space than I have to devote to them at the moment. But, I saw this very nice article in this weekend’s Chicago Tribune about the Annoyance in general and Mick Napier in particular, so I thought I’d pass it along. I am a huge fan of Mick, and am particularly delighted that he’s become an institution, and am even more delighted that I know how uncomfortable he undoubtedly is at that particular thought. Don’t fight it, Mick. Just enjoy, and keep on doing what you’re doing.