Tag Archives: python

Stooges, Pythons, and Getting Paid for It

Long before I had met any of the Pythons, I did my first celebrity interview, and it was the first article I ever got money for writing. I was still in college at the time, working a couple of shifts a week at the college radio station, including a weekly comedy show which primarily consisted of playing album cuts by the Smothers Brothers and Jonathan Winters (this was before I had gotten my mitts on Monty Python albums. I discovered that a friend of a friend was running a convention in California, and he was bringing in several guests. One of them caught my eye.

Ironic, in retrospect, because his own eye had been caught by Moe on numerous occasions. By this time, though, Moe and Larry had both passed away. But Joe DeRita, “Curly Joe,” was still alive and well and apparently doing public appearances. Although I figured Jonathan Winters and the Smothers Brothers (to say nothing of the Pythons), would probably be too busy to deign to do a college radio interview, I had a feeling that Curly Joe might have a little more time on his hands. I was right. Using my radio show to justify my request, I finagled his number and made a call, and that very week I was interviewing Curly Joe. He couldn’t have been nicer, and answered all of my fanboy comedy questions with great patience and tolerance. Eventually, at the urging of Mr. Jewell, my former speech teacher, I transcribed the whole thing and sent it off to a nostalgia magazine, which eventually printed it. As a college kid stuck in the Midwest, I couldn’t believe I had spoken to someone who was part of a comedy legend, and to get paid for it? I couldn’t think of a better way to make money.

A Thoroughly Biased Look at “John Cleese: Last Time to See Me Before I Die”

An evening with John Cleese is like sitting down with an old friend and a cold vodka and tonic. You know you’re going to have an enjoyable evening–the only question is, how enjoyable?

Most of the audience for John Cleese: Last Time to See Me Before I Die will be familiar with at least some of his work, usually Monty Python, Fawlty Towers, or A Fish Called Wanda. And they will unquestionably get their moneys’ worth with stories and film clips featuring the best-loved bits and co-stars. But just as enjoyable are the stories and clips of lesser-known but just as hilarious shows and friends. Who knew that his mother Muriel would be discussed as much as Monty Python? And get just as many laughs?

John settles into a comfy chair as he discusses both his parents, growing up in Weston-super-Mare, which was inexplicably bombed during World War II, how he got into show business, touring New Zealand, beginning work at the BBC, and early friends and idols like Marty Feldman, David Frost, and Peter Sellers. He hits on all of the successes that one would expect, but also explains his love of black comedy (one of the few things he had in common with his mother). He gleefully relates several practical jokes played on Michael Palin (including one that backfires deliciously), and tries to explain the late Graham Chapman, his friend and writing partner. The show moves along at a rapid pace, and he packs in plenty of stories, seasoning it with just the right amount of photos and film clips.

I suppose a disclaimer is due here: I’ve known and been friends with John since the ’70s, so I am a bit prejudiced. However, after seeing it several times, I was delighted to see the virtually universal enthusiastic audience reaction.

At risk of being labelled a sycophantic fanboy (which, when dealing with John and the Pythons, is a badge I wear with honor), he deserves the adulation; he works hard to ensure that his performance is word-perfect, going into the theatre early to hone phrases and check photos and cues. The result speaks for itself.

After wrapping up the Canadian Tour, John Cleese: Last Time to See Me Before I Die will be touring Australia early in 2014. I’ll post more about it when it gets closer to the time.

Oh, and how enjoyable? Very enjoyable indeed.

A Good Month for Canadian Cleese fans

When I was working for John Cleese, I often urged him to put together a one-man show. He agreed it was a good idea, but never seemed to have the time to organize it. Eventually, faced with the need to pay out an atrocious amount of alimony for too many years, he found the time, and his fans and his ex-wife are the better for it. He’s performed it in various places, trying it out in New Zealand (where, as he put it, if it was a disaster, no one would likely ever hear about it)–and playing it in Scandinavia, Australia, even a few California dates. Now it’s Canada’s turn, where the Halifaxians and Torontons have seen it, and he’s working his way west even as I write this. The bad news: most shows are already sold out, so if you’re in that Great Northern neck of the woods and want to see it, you’d better move fast. But if you’re in Edmonton with nothing to do, try this, but do it quickly. And if you have a great deal to do, but can still get to Edmonton next week, cancel your plans and go see the show anyway. As of this writing, it looks like there are a few tickets remaining for one of the October 5th shows, which would be a great way to celebrate Monty Python’s 44th anniversary.

Why am I writing about it now? Because I finally, at long last, had a chance to see the show. It exceeded my expectations, which were pretty high to begin with. I’ll write a short, completely biased review soon, along with a backstage look at the show.